Watched the first four episodes of The Night Agent. It’s a pretty predictable ‘agent goes rogue to prevent inside plot’ story, but it’s watchable.
The plot has already forced him into the path of a girl he’ll probably fall in love with and I imagine he’ll end up saving the president somehow, as they all do. I’ll finish it, but not really expecting any surprises!
I have mixed thoughts on this! I haven’t watched it all yet (finish it tonight) but sometimes I don’t mind if Netflix do a one and drop with programs. Quantity doesn’t always mean quality.
I saw that with “designated survivor” - The first season seemed really punchy but the second one seemed a little disjointed.
If they do a second season I’m hoping it’s as good as this one has been.
I’ve finished it now, and I thought it was terrible .
To each their own. I think I’m getting spy drama fatigue, but it seemed very much a rehash of previous plots that have been done to death. Think I’d skip a second season.
Currently watching it and I’d honestly say that this is Netflix bread and butter stuff. While it’s entertaining enough, it doesn’t stand out to me in any way over other shows.
I don’t quite have fatigue as Spy dramas are right in my wheelhouse. But it’s definitely fairly generic.
Blue Lights on the BBC is actually really good. Another police drama, but it follows new recruits in Belfast response policing, and it manages to feel pretty fresh.
The priest from Derry girls turns up as a gangster though, which is pretty throwing
The creator had envisaged it as an anthology series. So the second season was supposed to have all new characters and an all new story.
Not good enough for the network! They wanted the characters people knew and loved to stick around. So even though their stories were over, new ones had to be created or the characters otherwise shoehorned in.
It was this forced compromise of vision that fatally crippled season two.
Times have changed so perhaps it would’ve been allowed the intended season two if made today. Imagine if True Detective makers were told they had to keep Harrelson and McConaughey in the show for season two instead of being able to explore new characters?
I forgot about the writer’s strike. Did a Google, found some information on how it affected Heroes here:
Sounds to me it wasn’t a major factor in the issues I identified the show as having, it just made the second season shorter. With or without the strike, the problems with keeping the same characters were still present.
One of the big problems, the link above reminds me, is that some of the characters were so powerful the show had to come up with ways to nerf them. Which is a betrayal to the characters and a letdown to the fans. New characters with new parameters would’ve avoided this issue.